Don Pendleton's Mack Bolan, Now a Film Franchise

This week successful Hollywood screenwriter, producer, Shane Salerno announced the film franchise of Don Pendleton's Mack Bolan best-selling series.  In the 1970s, at the height of Don Pendleton's success with the original series, Don had this to say about his books:  "I do believe that I have managed to utilize highly, highly dramatic situations, perhaps bordering on the melodramatic to bring out the deeper values that are inherent in all human life.  I’m very strongly aware that many young and impressionable readers read my books and I feel a sense of responsibility there.  I work very hard to see that my hero is a truly three dimensional person with very high purpose.  I try to present the things he does in the context of tremendous meaning."

 

"I will never apologize to anyone for my Executioner books.  I feel they are a testament to the human spirit of mankind and I find it personally gratifying that the books have evoked such a wide response in the American reader.  And it has been a wide response, not just in the numbers of books sold but in the cross section of American society who happen to be reading the books.  The readers are professional people, white collar workers, blue collar people, military people, men, women, children from age twelve to age ninety four.  The books are more than simple escape literature.  The books do actually involve the reader in a rather high cause–the perpetration of human excellence, high human values, and besides that, they are just entertaining, that’s all."

"Beyond that, I don’t know how to evaluate the books.  I doubt very much that any writer can really give a purely objective evaluation of his work.  The only sort of gauge I have is in the way I feel when I write those final words, The End.  If I have a good feeling when I put those words down, then I feel I have accomplished my objective.  I’ve said what I’ve started out to say and told the story I started out to tell, and if I finish the book feeling good then I have to assume that the reader will finish the book feeling the same way–and that’s really my primary goal."

"I want to entertain and along with the entertainment, I do want to include something that does dignify the work a bit.  That doesn’t mean that the time spent reading the book is lost time-completely frittered away–but that along with the entertainment there has been a few moments of perhaps introspection on the part of the reader, perhaps a little bit of understanding of the world about him."

"I don’t suppose the books will ever go down in the big registry of great literary masterpieces, as certainly, they’re not that.  I could only hope that Mack Bolan will take his place along with such American fictional heroes as Mike Hammer, Travis McGee, Perry Mason, Matt Helm, and of course James Bond, who is not an American hero but an Englishman, but nevertheless, in the same genre.  And I hope it can be said that Mack Bolan is his own man–his own type–and he does stand apart from the other heroes, perhaps no better than they are but unique in his own right, and aside from the hope that the books will have continuing acceptance, that they will continue to sell, this is about the most I could ask for."

~Don Pendleton. 

The photo I took of Don Pendleton autographing a book for the young boy was at the Mack Bolan Convention in San Francisco in 1985.  

Read more at my previous blogs on the 40th Anniversary of Mack Bolan, in 2009, beginning with Part One, The Birth of Mack Bolan

~Linda

Words

"Words are, of course, the most powerful drug used by mankind."
--Rudyard Kipling 1865 – 1936

Don Pendleton's (Joe) Copp on Fire, Now at Kindle

"Pendleton emphasizes fast-moving, gritty action."
–Library Journal

All six novels of Don Pendleton's Joe Copp Mystery Trillers are now available at Amazon's Kindle.

The last one to become available is Copp on Fire:

From Hollywood's corporate halls to the famous back-lots, Private Investigator, Joe Copp acts his way through someone else's script until he's face to face with the ruthless star of the whole bloody show. Copp writes his own script and turns the production on its head in his search for truth and justice.

The Joe Copp series is also available as trade paper.

Don Pendleton is creator of The Executioner, Mack Bolan series of action/adventure and is known as "the father of the action/adventure literary genre.

He is also known for the phrase "Live Large!" --a theme of his Mack Bolan character. The Random House Historical Dictionary of American Slang, Volume II (H-O) gives derivation credit for "live large" to Don Pendleton and his Executioner Series.

Typical of Don Pendleton's writing style, the Joe Copp stories are hard-hitting, fast-moving, gritty, filled with authentic dialogue, and capture keen insight into the inner-workings of the characters.

~Linda

Don Pendleton Tribute

Writer and friend, Jon Guenther posted on his blog a very nice tribute, Remembering Don Pendleton in memory of my late husband, author Don Pendleton. Don passed away 14 years ago on October 23, 1995 and I have to say it almost seems impossible that much time has gone by since he left this physical world. Although absent in the physical dimension, he is still very much here.

I had a telephone conversation with Jon today. Jon has written close to thirty books in the Harlequin Executioner program (Executioners, Super Bolans, Stony Man). He is one of many fans who was inspired by Don’s books at a fairly young age. And like a few others, that inspiration resulted in becoming writers themselves. I still enjoy getting the fan emails and hearing how the writings of Don Pendleton influenced lives in various ways.

There is something special about Don’s Mack Bolan character that he created and wrote about in his original series of 38 books. Don gave Bolan the essence of a true hero that has lived on through the “pen” of other writers for about 700 books. Forty years since the first Executioner, War Against the Mafia. Don was known as "the father of action/adventure."

This week I published The Cosmic Breath, Metaphysical Essays of Don Pendleton, Introduction by Linda Pendleton.

Although Don was a successful novelist for many years, he also wrote nonfiction, including metaphysical essays. He had a life-long interest in metaphysics and considered himself a metaphysical scholar. His nonfiction book, (in original E-book edition), A Search for Meaning from the Surface of a Small Planet, was winner of The Independent E-book Award 2002 for Metaphysics, and the Digital Literature Best of Non-fiction, 2002 Award.

The Cosmic Breath is available in tradepaper at Amazon and will be available for Kindle in a few days.

Thank you, Jon for remembering.

And if you missed my interview with Jon Guenther about his new book, Soul Runner, you can find it here.

~Linda

Interview with Jon Guenther, Author of Soul Runner: A Novel of High Adventure

OUR INTERVIEW

Linda: Jon, you’ve had a productive writing career in what seems like a relatively short time. I will always remember the fan letter you sent to my husband, Don Pendleton, which included a sample of your writing. It caught both Don’s attention and mine. He said as he finished reading your sample, “This guy’s good.”

That was in 1995 and I don’t believe any of us knew at that time you’d become one of The Executioner: Mack Bolan writers for Harlequin’s Gold Eagle program, but of course, that was one of your goals. Since that time you have written more than thirty novels, starting with your own Chaser and Chaser’s Return, both published as audio books, a number of Executioners, Mack Bolan, and Stony Man novels and now your publication of your new book, Soul Runner: A Novel of High Adventure.When did you become interested in writing? Did you write as a kid? I don’t mean for school but for yourself? Do you recall the first story you ever wrote? If so do you want to share what it was about?

Jon: I became consciously aware of those interests probably when I was around twelve years old. I remember taking a typing class in sixth grade (which would have been around 1980), and just that act alone made me realize that with this “highly advanced machine” I could produce my own stories—and quicker than by mere handwritten means. I suppose, however, I was a born writer; that I had a God-given talent and desire to do it. I was also a voracious reader, whether comic books or novels (I loved the Narnia Chronicles). I think the spark of creativity grew out of my love for Star Wars and Star Trek, and fantasy novels. By that age, I had also started to read The Destroyer series by Warren Murphy and Dick Sapir. The Executioner series followed shortly thereafter (or at least the Gold Eagle books, which had just started coming out around that same time).

Linda: Who or what has influenced your writing and in what way?

Jon: Oh my! Many things influence or have influenced my writing. Again, reading was a definite motivator from my earliest recollections. But more than that I can say with earnest my parents lovingly fostered my desire to write instead of trying to suppress it. In later years, you and Don certainly encouraged me to be persistent in the work, to train and hone my skills by writing. Over the years there are other authors to whom I wrote fan letters, and who responded to me like Ed McBain, David Morrell, Steve Mertz and Mike Newton.


Linda: How much of your background as a soldier, firefighter, and paramedic, along with your interests in martial arts, history, music, and technology play into your writings?

Jon: All of those interests have played into my writing, certainly; whether subconsciously or consciously, they are part of what ties my creative right-brain with my logical left-brain. Those experiences and interests are inescapable parts woven into the seams of what Don called the “inner dramatic laboratory” in The Metaphysics of the Novel. My experiences as a firefighter/paramedic gave me an inside look into the human situation, not only the victories but the most abject miseries. Many of my characters are veterans or soldiers, or have some military background, which is only natural in the kinds of stories I love to tell. I don’t generally talk about my military service. I’m proud of it, but I choose not to go into any great detail about it. Music and technology play less into my work, although you never know. I might surprise you some time.

Linda: Who have been your favorite writers over the years? What books do you believe have influenced your writing? What books have most influenced your life and/or your world view?

Jon: My favorite writers are almost too numerous to list because I love to read! Top five picks would be Don Pendleton, Alistair MacLean, David Morrell, Jon Cleary and Ernest Hemingway. The Executioner/Mack Bolan books have most definitely influenced my writing, along with other action-adventure series in that similar vein. The books of my favorite authors have, naturally, helped influence how I write (i.e., how to plot, pace, establish setting, evoke conflict, write dialog, and so forth). The Bible has absolutely guided me through much of my life—or the later years when I moved past my rebellious phases—along with many of our greatest adventure classics like Kidnapped, The Count of Monte Cristo, The Prisoner of Zenda. The list goes on.

Linda: As most writers, I have read a number of books on creative writing and techniques of novel writing. What books on writing have you found to be of value, and why?

Jon: Three books immediately come to mind: The Metaphysics of the Novel (which I’ve read about a half-dozen times), On Writing by Stephen King, and The Art of Fiction by John Gardner. I also made good use of many of the Writers’ Digest fiction series books in my early days, as a writer. They are great starting references to learn the “rules” of writing, which is why I found them of good use. But I firmly believe (and I think most veteran writers will agree) that eventually I began to surpass them as I gained experience, and realized I had begun to form my own opinions and values as a writer. In part, this is one reason I’ve never attempted to write just “another writing book.” There are already plenty of great resources in the marketplace, and I feel writers—to become skilled writers—must eventually come into their own style and voice. Now I do most of my learning by reading the work of others and building on my own, internal toolkit.

Linda: Did you ever take creative writing classes or belong to a writers critique group?

Jon: I never took any hard-core creative writing classes beyond those required in my general education (high school and college). Most of my writing there, too, was purely academic or non-creative. I’ve never gone for critique groups as a matter of preference. I believe they’re invaluable for some writers, but I consider writing an entirely personal and individual affair. It requires a certain amount of labor and intellect that can only be found within me. That’s something I can’t move past and I’m relatively superstitious about some facets (like I generally won’t talk about or even let someone read an unfinished work outside of a select few individuals in whom I place an inordinate amount of trust to give me the real deal).

Linda: Tell us about your latest book, Soul Runner, and what inspired you to write it.

Jon: Soul Runner is the story of Dr. Abram Aronsfeld, an anthropologist and history professor who is recruited by a secret organization called ARK to rescue persecuted Christians from countries all over the world. The book is predominantly set in 1988 Romania—less than two years prior to the collapse of the Communist dictatorship under Nicolae Ceauseşcu—and Bram is assigned to steal a Christian gypsy woman by the name of Ileana Tarus out of the country. Unfortunately, things quickly turn perilous once he’s in Romania. The story is told in Bram’s voice, and pre-readers told me it moves at a frenetic pace. It was upon reading a pamphlet in 2006 from an organization called The Voice of the Martyrs out of Bartlesville, Oklahoma that I first learned of the magnitude of Christian persecution in the world today, and that inspired me to run with it. The novel contains an afterword where I go into a bit more detail on the inspiration, and soon I’ll be providing an eBook on my site called The Writing of Soul Runner that will expand considerably on the whole history of this book (which I felt would be of interest to some readers).

Linda: Will Soul Runner be a series of novels?

Jon: Ah, the old series question. I suppose the best way to answer it is that it definitely could be. The topic of Christian persecution is a giant one, so I have a global playing field in which to set additional books. The concept here is that ARK has many Soul Runners (Bram isn’t the only one); you could liken them to sort of “secret agents” in God’s service. When the original publisher offered a contract on the book (they backed out in December 2008 under relatively obscure reasons), the acquisitions editor certainly expressed an interest in what he termed a “loose” series—about which I can clarify my meaning, if requested. I think for now, however, I would not write more books unless fans clamored for them. Novels are a lot of work and I have other stories I’d like to tell.

Linda: What is your usual writing routine, Jon?

Jon: I had a much different routine during the short period I wrote full time (how I do miss that time). Since I’ve held down a “day job” most of my writing career, however, the typical routine is hectic, at times. I’m almost always under contract with a book in The Executioner or Stony Man series, so often that gets the priority over other projects due to deadlines. I usually write every evening, beginning around 9:00 p.m., and go a couple of hours. I start by reading what I’ve written the previous evening, and then write anywhere from 1,000 to 1,500 words. I do a bit more on Saturday afternoons. Since I attend church services on Saturday night, I take Sundays off to spend time with family, do little projects around the house or just relax with a good book. When the work is finished, I set it aside for a month or so (if time permits), and then sit down and read it straight through. By this time, Marilyn (my wife) has also copy-edited the work. I then make any additional edits to hers and then off it goes to the editor. I take a couple of vacations a year, during which time I stay away from the keyboard so I can rejuvenate and give family my full attention.

Linda: I often ask writers how they receive their inspiration. Many writers feel the inspiration comes from beyond them at times as they are working with their characters. Do you experience that in your writing? Do you visualize your scenes? Do you “walk” in your character’s shoes? And one more question along that line… do you outline prior to writing a story?

Jon: My main source of inspiration is God. I also take a lot from my observations about the world around me, and the behaviors and intents (both public and “secret”) of the people that inhabit it. In other words, I glimpse what “could” be from what I perceive “is”. And the one person I can never fool is me, so I have to write with some level of honesty if I want to remain credible. You see, I believe fiction should do three things: inspire, inform and entertain. I take that approach with each new project I tackle, forming and tooling and shaping my story into something that’s passionate and dramatic. I’m always trying to elicit a set of non-prescribed responses from my readers; to leave them the freedom to decide what they will think and feel about what I’ve written. Hopefully, my readers will take something away from it. That’s all I can ask for. And whenever someone tells me they enjoyed one of my books, or that they learned something or were inspired in some way, it’s music to my ears!

As to the visualization of scenes or internalization of my characters, I don’t really story tell in that fashion. I more see the words, almost as if I were reading the book for the first time, and that’s usually when the process is the most fun for me because I surprise myself. I believe this is why I don’t outline. That just feels too much like writing the book before I write the book. I’ve read many authors who say they outline, and in almost every circumstance those authors have said they do it to keep them on track or so they know what they’re supposed to work on that day. I already know every time I sit down at the keyboard I’m there to write. I don’t need an outline to tell me that.

On that note, I’d like to make a point here. I once read a book where a very well-known writer said that most of what writers say about their own work is nonsense (albeit, he used a more colorful metaphor). I’m not sure I agree with that. There’s a mantra I’ve carried with me most of my writing career, posited by the great adventure novelist, Alistair MacLean. He said: “I am not a novelist, I’m a storyteller. There is no art in what I do, no mystique.” MacLean had a very clear picture of his role as a writer (interestingly, it’s been said he actually hated the process of writing and the draft he turned into his editors was the first and only). His vision is very similar to my own, in that respect—although I never turn in a first draft.

Linda: Jon, you’ve written a lot of The Executioner, Mack Bolan books and I know you have tried to keep true to Don Pendleton’s vision of his Mack Bolan character. From your point of view as a writer of those books, what is it that has kept Mack Bolan alive all these forty years? In your own novels is there anything you strive to put into your stories to keep them alive, to keep the words jumping off the page and inspiring a reader to want more?...Even in a subtle way.

Jon: I often ask myself that same question about Mack Bolan; even after twenty-something books, I’m still not sure I have the answer (although Don certainly handed off the wisdom baton in our correspondence). I’m persuaded the secret of Bolan’s longevity is the mythical qualities of the character. Bolan is a consummate warrior; a soldier of unswerving duty; a moral agent; a dispatcher of justice and protector of the innocent. How can you not love the guy?! For me personally, Bolan is real—or at least what he stands for. It’s been that way ever since I started reading the books nearly thirty years ago. He emulates many of the qualities that decent, honest people everywhere can admire, and in that context he is every bit accessible as a fictional character. We can identify with him. We can believe in him because he’s doing what most of wish we could do: he fights the injustices in the world and he wins! It’s a classic formula, sure: good triumphs over evil. But it works because of the Bolan character, not in spite of him.

I certainly try to build some of these qualities into my own heroes and heroines, but I also strive to make sure I don’t “mimic” Don’s style. That’s the thing about Don, and one of the reasons he’s my all-time favorite writer. He was an original, the real deal, and he created a hero of the same mold. Pretty tough to compete with that, and I wouldn’t deign to try. But I learned a lot of lessons from reading Don’s works, and I do try to emulate him on different levels by just being true to myself and my own style. Sometimes I get lucky, sometimes I don’t. But then that’s part of the fun of being a writer. The journey of self-discovery is a priceless return on the investment.

Linda: Of the elements that go into a novel such as characterizations, dialogue, action scenes, plotting, sex scenes, and setting, among other things, which do you find easiest for you personally in your art of writing? In other words, what do you consider your strength to be?

Jon: I’ve never thought about it, really, but I suppose if I had to pick my greatest strength it would be pacing (or I suppose some might call that plot). I try to remember at all times that my chief duty as a storyteller is to entertain. It has to be my paramount consideration because of the natural convergence of all the elements that go into fiction (many of which you listed above). That’s a juggling act and I feel it’s important to season my work with equal measures of putting ordinary people in extraordinary situations. Anything less is tantamount to literary suicide for a writer, and nothing bugs me more than when a writer has the temerity to withhold entertaining me for their own, selfish purposes. Yeah, I said “withhold”, because I believe this is a purposeful act. It usually happens because they want to hide behind the words, fearful of venturing their own thoughts for the sake of being politically correct or stylish. Utter bunk and I have no use for that kind of writing (and you’ll notice I’m not shy about saying it).

Linda: Would you like to share what your current or next project is?

Jon: I’m currently working on a new, original action series about an “everyman” helping out the little guy in America. I think it’s time we got some new heroes we can admire in today’s world.

Linda: What is your favorite quote?

Jon: “For God so loved the world that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.”
—Jesus Christ, John 3:16 (KJV)

Linda: Do you have any advice for aspiring writers?

Jon: There is no secret formula I can give you; no magical talisman; no profound wisdom. All of those you must find within. Simply read, believe in yourself, and write… write… write!

And one other thing I suppose bears an honorable mention. Never measure success by whether you’re published; measure it by the joys of self-discovery along the way.

Linda: That’s true, Jon. That is what writing is all about: self-discovery. Thank you so much, Jon for giving us this insight into your writing. I wish you the best with Soul Runner. It is a fascinating adventure story and I know readers will enjoy it tremendously.

Visit Jon Guenther’s website to learn more about Soul Runner and Jon’s other books. Soul Runner is available at Amazon.com in trade paper and for the Kindle Reader, and autographed copies available at his website. Follow Jon's Blog.

© Copyright 2009 by Linda Pendleton and Jon Guenther.

Jon Guenther's Review of Don Pendleton's Metaphysics of the Novel
My blogs about the 40th Anniversary of Don Pendleton's Executioner Series
~Linda

40th Anniversary of Don Pendleton's The Executioner: Mack Bolan Series, Part Four

In Part Four of the Birth of Don Pendleton's The Executioner: Mack Bolan Series , Don Pendleton spoke of critics. This again was in about 1973, at a time the Executioner had really taken off. You may want to read Part One, Part Two and Part Three prior to this one. See Posts below this one.

On The Critics by Don Pendleton

Of course, there is that other thing: the unfavorable comments of the critics. I don’t suppose that I’m any more thin-skinned in that regard or any more thick-skinned than most writers are. This is one of the things that every person in the creative or performing arts is wide open to and we have to simply accept it. Don’t have to like it. My own personal view of the written criticism is that it is a literary cannibalism. The critic is literally cannibalizing another piece of work in order to create a piece of work of his own. It must be recognized by knowledgeable people that reviews, criticisms, are, in fact, a valid art form in their own right. The person who writes these pieces of literature are in their own way attempting to create something. But in order to create something it’s necessary to borrow from another’s piece of work–and it just so happens that it makes much better reading and a much more effective criticism if you can really lace into the other guy and tear him apart. After you’ve said, it’s good, it’s great, it’s wonderful, what else can you say? Of course, there are many, many, very sensitive critics in all fields of the arts who are able to come up with some very meaningful criticisms which do add to a piece of work but, by and large, the average run of the mill critique of any art is a cannibalism. So I sort of accept that unfavorable stuff in the same spirit that it is given–I don’t pay much attention to it. I believe the best piece of criticism that I can read regarding my books are my royalty statements.

But there are some valid criticisms about my books which perhaps I should try to answer. It has been said that the books are hastily put together. Haste is a relative term. For a person whose normal writing speed is three or four pages a day or perhaps three or four paragraphs a day, then to put out a full length novel in thirty to sixty days is absolutely a hastily done piece of work.

I average about ten pages a day and I could do double that amount. I have done double that amount, many times. But yes, at some cost to the work. But I suppose that I sweat and agonize over my phrases just as much as any writer who has ever lived. I change, rewrite, revise, carry on as though I was writing the great American novel. I work very conscientiously and with very great pains to put together prose that is easily assailable. I have adopted a sort of conversational style in my writing in these Executioner books, particularly. I try to write more or less as people speak and yet to do so in such a way that there is no ambiguity as to the meaning of what I’m saying. I don’t concentrate on the fine points of grammar. When we run across people in everyday life who are speaking in precise grammatical terms they invariably come off sounding affected, stilted, and I certainly don’t want to write in that fashion.

I know all the rules of sentence structure, use of words, but hell, I’m not writing grammar books. I’m writing fiction. I’m trying to write very hard-hitting, very suspenseful, edge of the seat, eye-ball jerking fiction. I don’t priss around my study with a dictionary in my hand, a thesaurus on my hip, nor do I have a word usage chart on my wall. I’m continually working toward the fast moving, the fast flowing, the evocative, the shocking. I’m trying to keep the reader hooked, page by page, by page. This is my approach. Now to someone who wishes to sit down and tear apart this type of writing, it is the easiest thing to do. I would only like to point out that we can sit down with any of the great works of literature and if we are looking for the weak points, if we are looking for the points where the author had not followed every little rule, yes, we can tear it apart. We can tear Charles Dickens right down to the bone. We could make Ernest Hemingway look like a sixth grade drop-out. It’s not the guys who write by the book who write the books that sell–books that become meaningful. It’s by and large, the guys who say to hell with what I’m supposed to do–this is the way I see it should be done.

I frequently invent words. There are many, many invented words in the Executioner series. I’m not afraid to invent words. The people who compile our dictionaries are constantly working adding new pages to the dictionary. They have to do that because there are people in the world who aren’t afraid to invent new words.

As far as the rules for writing literature–there are no rules. I don’t believe any man ever sat down at a typewriter and began writing a book and did, indeed, manage to write a book that was worthy of being published that followed some sort of formula set down by someone else on how to write the book.

What I regard as my last word to the critics is simply this: No national critic ever noticed the Executioner books until they had become nationwide best sellers. My pitch was made to the readers and the readers responded. If the critics want to come along now and notice me simply because I forced them to notice me by the wide sales of the books, then they can say whatever they please. I simply don’t give a damn. However, if they are going to discuss the books in print, I don’t think it would be unreasonable of an author to ask that they do read the book before they attempt to criticize it. They shouldn’t simply turn to page thirty and pick out a couple to sentences to criticize and then turn to page ninety and then pick out a couple more sentences and call that a criticism of the work.

Don was correct in saying that his readers are who mattered. After all, they are the ones buying the books and coming back for more. Forty years later Don Pendleton's fictional hero, Mack Bolan is still alive and kicking.... The Executioner Series has had at least three generations of readers now. It may be four generations in some cases, as I recall in about 1985 when he did a booksigning at the Pentagon, there was an Air Force Officer who told us his father and son were fans. His son was in Air Force also. So by this time...that Officer's son may have children who are reading the books. I say children because the fans of the books have always included young and older women, along with the boys and men. Everyone loves a hero.

And before I'm asked, no, movies have not been made. I still have hopes that some day Mack Bolan the Executioner may make it to the big screen. When it happens, I hope we recognize him.

The drawing of Mack Bolan was commissioned by Don in 1975 and was done by a young talented artist, Mike Cagle of Indiana.

My thanks to the Gold Eagle writers...keep writing guys!

~Linda

© Copyright Don Pendleton, Linda Pendleton.

Part One
Part Two 
Part Three 
Part Four

40th Anniversary of Don Pendleton's The Executioner: Mack Bolan Series, Part Three

In Part Three of The Birth of Don Pendleton’s The Executioner: Mack Bolan Series of Novels 40 Years Ago, we are looking at Don Pendleton's Creative Writing Style. You may want to read Part One and Part Two before this one. He taped this originally in 1973 and mentions his lawsuit with his publisher, Pinnacle Books, who at the time was trying to claim the Executioner series as their own. Don won the lawsuit and his copyrights were returned to him.

Don Pendleton’s Creative Writing Style of The Executioner SeriesNow a word or two regarding the creative style used in these books. I was asked in an interview recently [about 1973] if I thought this particular formula had reached its logical end. My response to that question was that I simply don’t use a formula so I couldn’t answer the question. Because the Executioner was a trend setter, there are now a lot of imitating series which have become a sort of normal thing in the trade–a lot of publishers developed trending series, that’s all. There is actually no formula involved primarily because of the creative style used by me. My old publisher, Pinnacle, in the present litigation that we’re in [1973], one of his claims is that the Executioner is a House Series, that it was created by Pinnacle and that the character, plot, the situation, what he calls the concept, was given to me to develop. This is ridiculous. I couldn’t begin to work along anything like that. He tried to use the synopsis that I submitted to him of the original book, the first book, to show the differences between the synopsis and the completed book as evidence that they had exerted a great influence in the nature of changes and revisions as evidence that I was working under their direction. But here again, the difference between the original format of story idea and the final version of the work was the inevitable result of the way I work. A synopsis is nothing more than the skeleton of a story idea that establishes mood and thematic movement in somewhat the nature of a motion picture story treatment. It’s not a plot outline which details specific story elements to show how these elements interact to produce a story. I don’t even use the outline method for story development at any time. My method constitutes an evolution of theme and movement through character into a story which is not even conceptualized until it is told. And the characters are seldom more than un-dimensioned shadows until they are confronted with the story elements. That is to say the story does not exist. It does not exist even in the author’s mind until they [the characters] are confronted with the story elements. That is to say that the story does not exist even in the author’s mind until the book has been written.

Now using this method, it is the telling of the story that actually develops the characters and produces the various elements of style, plot, suspense, even the action. In this particular instance, the Executioner books, the story idea which first became expressed in the synopsis was nothing more than a vague thematic treatment concerning a combat trained and highly capable young man with a strong sense of duty who is confronted with a terribly unjust human situation which just may be within his abilities to correct. He accepts the challenge, this call to duty, with clearly no chance, no chance whatsoever, for his own survival, unless, now unless, he can rise to a level of human excellence and greatness, and this rise of the hero, his efforts to maintain that almost impossible level of excellence, are the story elements that provide suspense and action in the unraveling of the story.

Working within such a framework, naturally the author himself is in continual crisis as he attempts to unfold a story which has not even been formulated. The fragments of plot and scene which were necessarily perceived to synopsize the proposed work for a perspective publisher–in my case, anyway, are always abandoned or at least greatly altered as the story unfoldment picks up momentum and begins to propel itself. So it is because of this that Pinnacle’s allegations that they are directing my work and calling the shots and everything, are so ridiculous. Not only has my work never been directed by other persons, it has never been fully directed by myself. There is just no way under the sun that anyone, anyone, could direct my work. Any attempts to do so would be absolutely antithetical–antithetical to the creativity which has produced the Executioner.

I don’t take full credit for the success of the books because I constantly amaze myself with the things that come out in the completed manuscript because I never know where I’m going when I start, where I’m headed. I simply begin with a tense situation and put the guy in jeopardy and allow his own character, his own established modus operandi, his quest for excellence, for justice, to tell the story, to get him out of the trouble, and hell, I never know what is going to happen in the books until I get to the very final shot of the story. So this is about as close as I can come to a description of the creative style of this author, Don Pendleton.


Part One

Part Two

Part Three

Part Four

© Copyright Don Pendleton, Linda Pendleton.

40th Anniversary of Don Pendleton's The Executioner: Mack Bolan Series, Part Two

In Part Two of the Birth of Don Pendleton's Executioner Series, we are looking at the underlying theme of the Mack Bolan books. Don Pendleton considered his Executioner Series of Action/Adventure novels to be a study in the metaphysics of violence. You may want to read Part One first.

In the 1970s Don Pendleton had this to say:

The Metaphysical Theme of the Executioner Books

Some people may say that these books are not examples of metaphysical thought, but they are. Metaphysics grapples with the nature of reality and the Executioner books undertake an examination of the essentially violent nature of nature.

In the first appearance in the series, Bolan was already aware that he lived in a violent universe. In Book One, War Against the Mafia, page 166, –a quotation in Bolan’s journal, his diary–“Life is a competition, and I am a competitor. I have the tools and the skills, and I must accept the responsibilities. I will fight the battle, spill the blood, smear myself with it, and stand at the bar of judgment to be crushed and chewed and ingested by those I serve. It is the way of the world. It is the ultimate disposition.”

Does that sound like Bolan the metaphysician? Not really. It’s Bolan the killer, the Executioner. His metaphysics are an out-picturing of the universal ethic as this character vaguely understands it.

You know the first spark of life to move across this planet was a violent entity, predatory, perpetuating itself through a predacious assault upon its environment. Bolan reflects this when he says: I am alive tonight because of violence loose upon the earth. Each breath I take is paid for by crushed and digested once-living things. Violence is the way of the world because competition is the way of life-perpetuation. Without violence there can be no competition, and without competition there can be no life. Something dies for every instant that something else lives.

Now Bolan, in that, was not referring to human violence per se, but as violence as an essential element of the reality of life. He’s recognized this–and it is a metaphysical idea. But this understanding doesn’t result in a cynical attitude toward life for Bolan as it has done for many others. Quite the opposite. Bolan views the violence of nature as a tool of the universe, a very useful and constructive tool when applied through human consciousness toward the attainment of noble goals. But he takes the Friedrich Nietzsche concept in Book One Front Piece–“You say that a good cause will even sanctify war! I tell you, it is the good war that sanctifies every cause!”

Now, obviously, Bolan has a good cause. Just the same, he isn’t using this shield of good to justify his actions. The cause is already well established. Most people will agree that organized crime is an evil that the world can do without. The problem has been that no one seems strongly enough motivated to put their hands where their conscience is. Bolan is saying, in effect: Now look, I offer up my life to oppose this crime against humanity. In this Nietzsche-ian idea, Bolan says let my blood and my dedication serve as an example to all good people who are sitting by and tolerating these injustices, let my impossible war sanctify this good cause. Not justify it, but sanctify it.

So, no, Bolan is no cynic. In Book Five, Continental Contract he says, “It isn’t enough to simply believe in something. To be truly alive you have to be ready to die for something. Harder still, there are times when you have to be willing to kill for something. I am both ready to die and willing to kill.”

Now the key phrase to that chain of thought is: to be truly alive. Is this metaphysics of a killer? Well, I think so. Another man said it this way once: If you will truly live, then you must be born again. Well, Bolan is reborn. He is reborn with every beat of his heart and he came to this understanding in Book Four, Miami Massacre via the prose of the girl who befriended him and actually died for him. She wrote him: “The world dies ‘twixt every heartbeat, and is born again in each new perception of the mind. For each of us, the order of life is to perceive and parish and perceive again, and who can say which is which–for every human experience builds a new world in its own image–and death itself is but an unusual perception. Live large that you may experience large and thus, hopefully, die large.”

In the original edition of Book One, War Against the Mafia, we also carried two quotations in its Front Piece that have been dropped from the newer editions. These were by Thomas Carlyle–“The courage we desire and prize is not the courage to die decently, but to live manfully.”–and from Elbert Hubbard, “God will not look you over for medals, degrees or diplomas, but for scars.”

I don’t know why these were dropped in the later editions unless some editor thought I was over taxing the page or the mind of the reader, because these two quotations give more of the philosophical overview of the character than the one remaining.

I relay on these little front pieces to set the tone for the book that’s going to follow. In a sense these are the theme pieces and usually this theme is no where else stated in such precise language, although it is certainly present in every movement of the story from the first page to the last.

So, as for the metaphysics of an Executioner, Bolan’s own reading of himself is hung out there in that first book for all to see, who wish to see: “I am not their judge. I am their judgement. I am their executioner.”

This is a rather concise statement of a rather broad metaphysical idea. It is karmic law in action with Bolan as the instrument of that law. He evades “judge not that ye be judged,” “vengeance is mine saith the Lord”–and so forth, by a simple elevation of the law. He, himself, is the violent judgment of a violent universe, the tool of the balancing forces of nature, the cataclysmic answer to the cancer cells of human destiny. Sure, Mack Bolan’s character is his fate and that is a strong metaphysical idea.

As I mentioned in Part One:

Don Pendleton's Mack Bolan, The Executioner, theme is "Live Large" and recently the Random House Historical Dictionary of American Slang, Volume II (H-O) gives derivation credit for "live large" to Don Pendleton and his Executioner Series.

Part One

Part Three

Part Four
© Copyright Don Pendleton, Linda Pendleton.

40th Anniversary of Don Pendleton's The Executioner: Mack Bolan Series, Part One

The Birth of Don Pendleton’s The Executioner: Mack Bolan Series of Novels 40 Years Ago,

Part One

In March of 1969, the first paperback novel of Don Pendleton’s The Executioner Series was published. Soon after, the second book, and those to follow, became a publishing phenomenon with the success of the continuing fast-hitting adventures of Mack Bolan’s fight to destroy the Mafia. The books were published worldwide in many languages. Don Pendleton is acknowledged as the "father of the modern Action/Adventure novel." His Mack Bolan, The Executioner, theme is "Live Large" and recently the Random House Historical Dictionary of American Slang, Volume II (H-O) gives derivation credit for "live large" to Don Pendleton and his Executioner Series.

At the height of the Executioner success many publishers and writers attempted to ride on the coattails of Don's success. Some succeeded. Others did not. In many of those books, what appeared to be missing were the elements that Don had so skillfully crafted with his presentation of his fictional hero.

Don wrote the first novel in the series, War Against the Mafia out of his desire to express his discomfort with the reaction of many Americans to our soldiers who were dying for our country in the jungles of Vietnam and those coming home to outrageous verbal and physical abuse. So Mack Bolan became Don's symbolic statement. He also became every soldier's voice. Don created a heroic character in Bolan, a true hero who was dedicated to justice. The enemy that Bolan had to fight was no longer on the battlefields of Vietnam but right here on American soil, and that enemy was the Mafia.

Within his Bolan stories are strong values with an underlying theme of a higher morality that Bolan follows. More than once Don said about the Executioner novels, "My biggest job throughout writing the series was to keep faith with Bolan–that what he is doing is right. I wanted an enemy beyond redemption–an enemy that all civilized procedures had failed to put down. The Mafia was ready-made. They embodied all the evils of mankind."

In 1980, Don franchised his Executioner characters to Harlequin's Gold Eagle Imprint after writing Executioner thirty-eight, Satan's Sabbath. Gold Eagle's program has resulted in close to 600 Executioner Mack Bolan books published since with several spin-off series: Able Team, Phoenix Force, Stony Man, and Super Bolan. Don was Consulting Editor with the Harlequin program until his death but did not write any of the Harlequin books, which have all been written by a team of writers. Mack Bolan’s fight then became terrorists.
In an effort to explain his Mack Bolan Executioner character and his own style of writing “heroic” fiction, Don Pendleton had this to say:

In the first Executioner novel, War Against the Mafia, the hero, Mack Bolan is quickly established as a superb combat soldier dedicated to a lonely “one man war” against the Mafia. This is a war of attrition...” the same as in ‘Nam.” Bolan uses a variety of heavy military weaponry in a relentless assault against “this new enemy” wherever he may discover their presence. Characterization of the character is to present this very violent figure as a highly motivated, heroic, and sympathetic man.

The books are narrated as the closest thing to docudrama, with an authoritative third-person objective viewpoint occasionally shifting into stream of consciousness via Bolan and other characters. The emphasis is to explain the action as an approving, historical account in a stirring presentation, and to dimension as much as possible the violent activities of the hero.

Styling of the Mack Bolan stories requires a structure for carrying fast-paced hard-hitting action sequences. The writing is punchy, declarative, stirringly graphic. The reach is toward the reader’s belly, designed to evoke visceral response and rousing empathy. This is “heroic” fiction.

Premising the Bolan stories are the ideas that a good offense is the best defense, and that human violence can have positive social values–that, indeed, the goals of mankind can sometimes best be dignified through violent confrontation. The first novel, War Against the Mafia, employed a quote from Nietzsche on the theme page: “You say that a good cause will even sanctify war! I tell you, it is the good war that sanctifies every cause!” These are frankly and consciously violent books because they intend to illustrate the violent themes of mankind.

The Mack Bolan books are prototypical Action/Adventure. A good “action-adventure” book is forever in a hurry, breathless, bursting with movement and activity. I try to keep my hero clean. I try to give him all the higher human attributes. I try to depict his war as a crusade–a very highly motivated crusade, with high ideals, very strong human overtones. I show this man in almost continuous conflict with himself. I show that his course through life is no bed of roses. I’m not exhorting anyone to emulate this man by his example. Certainly there is nothing in the Mack Bolan adventures which exhort anyone, young, old, male or female, to follow in his footsteps. This guy lives a pretty grim life. He’s no James Bond, with all the gourmet foods and the luxury living. He does have an occasional fling at romance but he doesn’t even have the time to appreciate that. The guy has a pretty rough life.

Of course, the character of Mack Bolan is built around this idea–that this is a man who has submerged his own life into his mission. He has sacrificed everything that he holds dear, all his own ambitions. After all he is a man with dreams, and all these things he’s forgone in order to fling himself into this holy war.

I believe, in the deeper theme values, my Executioner books reflect my values–and that something very, very important is taking place here on this obscure little planet. I do feel that life has tremendous meaning. I feel most sincerely that the good life is the challenged life and not the easy one. I think that in their deeper theme values my Executioner books reflect this philosophy. The books are not sheer blood and guts. Sure, there is plenty of that in there, deliberately so.

I do believe that I have managed to utilize highly, highly dramatic situations, perhaps bordering on the melodramatic to bring out the deeper values that are inherent in all human life. I’m very strongly aware that many young and impressionable readers read my books and I feel a sense of responsibility there. I work very hard to see that my hero is a truly three dimensional person with very high purpose. I try to present the things he does in the context of tremendous meaning.

I will never apologize to anyone for my Executioner books. I feel they are a testament to the human spirit of mankind and I find it personally gratifying that the books have evoked such a wide response in the American reader. And it has been a wide response, not just in the numbers of books sold but in the cross section of American society who happen to be reading the books. The readers are professional people, white collar workers, blue collar people, military people, men, women, children from age twelve to age ninety four. The books are more than simple escape literature. The books do actually involve the reader in a rather high cause–the perpetration of human excellence, high human values, and besides that, they are just entertaining, that’s all.

Beyond that, I don’t know how to evaluate the books. I doubt very much that any writer can really give a purely objective evaluation of his work. The only sort of gauge I have is in the way I feel when I write those final words, The End. If I have a good feeling when I put those words down, then I feel I have accomplished my objective. I’ve said what I’ve started out to say and told the story I started out to tell, and if I finish the book feeling good then I have to assume that the reader will finish the book feeling the same way–and that’s really my primary goal.

I want to entertain and along with the entertainment, I do want to include something that does dignify the work a bit. That doesn’t mean that the time spent reading the book is lost time-completely frittered away–but that along with the entertainment there has been a few moments of perhaps introspection on the part of the reader, perhaps a little bit of understanding of the world about him.

I don’t suppose the books will ever go down in the big registry of great literary masterpieces, as certainly, they’re not that. I could only hope that Mack Bolan will take his place along with such American fictional heroes as Mike Hammer, Travis McGee, Perry Mason, Matt Helm, and of course James Bond, who is not an American hero but an Englishman, but nevertheless, in the same genre. And I hope it can be said that Mack Bolan is his own man–his own type–and he does stand apart from the other heroes, perhaps no better than they are but unique in his own right, and aside from the hope that the books will have continuing acceptance, that they will continue to sell, this is about the most I could ask for.

Don Pendleton, left, with Artist Gil Cohen. Gil did Executioner covers for a number of years.

Photo Copyright 1985 by Linda Pendleton.

Part Two

Part Three

Part Four

© Copyright Don Pendleton, Linda Pendleton.
All Rights Reserved. 

What is a Hero Today?

My friend and fellow-writer, Jon Guenther posted a Blog today about “A Resurgence of American Heroes” and within his comments he quoted and linked to an article, “Joseph Campbell's Definition of Heroes: Does Traditional Hero Still Exist?.” I found myself disagreeing with the author of that article on Joseph Campbell, as Jon did. I love Joseph Campbell but I almost felt as if the author missed the point of Campbell’s intense study of mythology and the impact of inspirational myth on cultures down through the ages.

I no longer have Campbell’s classic book, Hero with a Thousand Faces, first published 1949, in my library, but I do have Power of Myth, from the Bill Moyers ' PBS interviews with Campbell. Campbell said, “Even in popular novels, the main character is a hero or heroine who has found or done something beyond the normal range of achievement and experience. A hero is someone who has given his or her life to something bigger than oneself.”

When my late husband, Don Pendleton conceived his fictional character, Mack Bolan, forty years ago, he not only put Bolan into a situation of “giving” his life to something LARGER than himself but also to a courageous battle for justice for others. But the writing of the Executioner: Mack Bolan Series went even beyond that with a spiritual, metaphysical element.

Campbell had this to say about the two types of deeds of a hero. “One is the physical deed, in which the hero performs a courageous act in battle or saves a life. The other kind is the spiritual deed, in which the hero learns to experience the supernormal range of human spiritual life and then comes back with a message.” This can be something as simple as taking a journey inward, inside ourselves, emotionally and spiritually, and discovering a strong connection to the Divine, which may result in a new understanding of life, a new purpose, a passion, such as to serve all of humanity in some way, large or small, or to bring positive change.

Most of us grew up with Superman, a fantasy hero, but I believe what has happened in recent years is a “false hero worship.” And that is as a result of the media and the impact celebrity now has on society. Now, youth too often look up to sports figures, singers, and other popular figures who really lack any qualities that should qualify them for heroes.

So where have all the heroes gone?

The heroes of today are people like many during 9-11 or Katrina, who set their own lives aside to save others—or the guy down the street who pulls someone from a burning car or home—or someone who gives a kidney to save a stranger—or anyone we know who may do some courageous act at a time when needed. Heroes are ordinary people, probably flawed and not perfect in all their personality traits, but people who are able to go beyond to do something that makes a difference in the world.

Even those who inspire with words:

“We should always be at war with injustice. Always.” ~Maya Angelou
“Courage is resistance to fear, mastery of fear—not absence of fear.” ~Mark Twain
“We can’t all be heroes because someone has to sit on the curb and clap as they go by.” ~Will Rogers.

I do agree with Jon that with the several years of corruption, war, and now the failing economy, we do have a need to look up to someone with heroic qualities, and even a fictional hero that will entertain us and take us to an imaginary place and restore our hope. But hey, I am optimistic that better times are ahead.

Joseph Campbell also said we need to get in touch with our “real self.” He stated, “The world is full of people who have stopped listening to themselves or have listened only to their neighbors to learn what they ought to do, how they ought to behave, and what the values are that they should be living for.” And his famous words, “Follow your bliss.”

I’m sure Jon Guenther will come up with a great idea for a new series of books, and with a believable hero. I intended to comment directly on his Blog but I wrote too much for that, so here it is.

Joseph Campbell (1904-1987)

~Linda

Don Pendleton's The Executioner Graphic Novel, The Devil's Tools

Comic graphic novel, Don Pendleton’s The Executioner: The Devil’s Tools, now available at book stores such as Barnes and Noble, Amazon, other bookstores and comic bookstores.
I wrote the Introduction to the Graphic Novel, which begins:

Introduction by Linda Pendleton: "Don Pendleton’s Creation of Mack Bolan, The Executioner."

"Forty years ago, 1968, was an unsettling time in America. There was the Vietnam War and civil unrest on our city streets and college campuses, the assassinations of Martin Luther King Jr. and Robert F. Kennedy. There were the psychedelic streets of San Francisco’s Height-Ashbury and Berkeley, love and flower power, and the long iniquities of the Mafia and organized crime. And that’s when The Executioner Mack Bolan series came to be.

"Our returning soldiers were treated badly and the events of this disturbing time in our American history inspired Don to write the first story for the Mack Bolan series. Don needed an enemy beyond redemption for Bolan and the criminal actions of the Mafia made them the perfect choice. After twelve years and thirty-eight books, the Mafia was fairly neutralized in real life. Since 1980 terrorists and international criminals have filled that role.

"My late husband had this to say some years ago about the development of his Executioner series: ‘When I wrote War Against the Mafia as a Vietnam statement, I didn’t expect much to come of it–but quite a bit came and it captured me. I continued the books to feed the obvious hunger that was there for heroic fiction.’"

To read more of my Introduction you will have to get the graphic novel....

This new original script of The Devil’s Tools is written by Douglas Wojtowicz, who has written several of Gold Eagles’ Executioner novels.

Cover art done by talented cover artist Michael G. Herring; Illustrated by S.I. Gallant; Colored by Luis Antonio Delgado; Edited by Thomas Waltz.

Published by IDW Publishing in conjunction with Harlequin’s Enterprises, Gold Eagle, World Wide Library. http://www.idwpublishing.com/

Read more about Don Pendleton at his official site:http://www.donpendleton.com/

~Linda

Don Pendleton's Executioner Series Book Cover Photoshoot

This is from the Blog - Gold Eagle Books - regarding Don Pendleton’s Executioner and Mack Bolan book covers for the series. Some interesting photography...
http://readgoldeagle.blogspot.com/2008/07/mack-bolan-mega-photoshoot.html


"Recently Gold Eagle organized a Mack Bolan mega photoshoot to create new imagery for the Bolan and Executioner book covers.

Model Phil McCauley (who has been associated with the character for several years now,) reprised his role as the Executioner."
















~Linda

Don Pendleton's Bookstore, Books, Comics by Don Pendleton and Linda Pendleton

I have added a Bookstore to my official Don Pendleton Website, featuring copies of books, Comics, and bookmarks, by Don Pendleton and Linda Pendleton. I have included several of Don Pendleton’s Joe Copp, Private Eye mysteries in hardcover and paperback, Executioner: Mack Bolan Comics (some autographed), and additional fiction and nonfiction books by Don and/or Linda Pendleton.

I have designed bookmarks featuring Don Pendleton’s well-known quote, "Live Large," the theme of his Executioner: Mack Bolan original series of novels. Don Pendleton is acknowledged as the "father of the modern Action/Adventure novel." In 1997, the Random House Historical Dictionary of American Slang, Volume II (H-O) was published and gives derivation credit for "live large" to Don Pendleton and his Executioner Series of novels. The phrase has become common usage in recent times.

I also have bookmarks with Dr. James Martin Peebles’ quotations. All items are available for purchase through Paypal.

Visit the Pendleton Bookstore at: http://www.donpendleton.com/bookstore.htm

~ Linda